
Over the past couple of years I have written short texts as the foundation for much of my visual practice. Here are some poems, short stories and experiments in sense and nonsense.
The Water Lily, 2025
The Shoemaker’s Guest, 2024
Once the Dust Settles, Etc., 2024
Nonsense Experiment 1, 2025
Nonsense Experiment 2, 2025
to lie, to disappear, 2021
Word of Mouth, 2024
Mold and Ash collection, 2022-2024
The Mess of Spit and Memory, 2022
Salting the Earth, 2021


Browse a collection of my essays on the intersections of language, knowledge production and care politics.
Abstract for The Performance of Conservation: Narratives of Displacement
Occular Hegemony, the Archon’s House and the Ecology of the Archive: a short relection on the concepts underlying my story “The Water Lily.”
The Future of Care: In Conversation with Camille Sapara Barton and Lou Drago
Imagine the Moon is a Jungle: Interview with Miha Turšič
Dystopian Anatomies: Anticipating the Posthuman Body
Space and Sound: Science Fiction for Interspecies Communication
Contemplations for Beyond the "End" of Time: A Manifesto.
Critical Fabulation: Imaging Barry Jenkins “The Underground Railroad”
Science Fiction and Surrealism: Re-Imag(in)ing Landscape for Interspecies Connection
Abstract for The Performance of Conservation: Narratives of Displacement
Occular Hegemony, the Archon’s House and the Ecology of the Archive: a short relection on the concepts underlying my story “The Water Lily.”
The Future of Care: In Conversation with Camille Sapara Barton and Lou Drago
Imagine the Moon is a Jungle: Interview with Miha Turšič
Dystopian Anatomies: Anticipating the Posthuman Body
Space and Sound: Science Fiction for Interspecies Communication
Contemplations for Beyond the "End" of Time: A Manifesto.
Critical Fabulation: Imaging Barry Jenkins “The Underground Railroad”
Science Fiction and Surrealism: Re-Imag(in)ing Landscape for Interspecies Connection
This body of texts, as well as my ongoing research is strongly inspired by posthuman thinkers such as Donna Haraway and Rosi Braidotti, new research methodologies including Saidiya Hartman’s “critical fabulation,” and science fiction as a genre spanning all cultural fields.
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